Sunday, August 20, 2006
Wednesday, August 16, 2006
The Beales of Grey Gardens

Just moments ago me and Dan Murphy finished a collaborative effort on a movie poster for the documentary "The Beales of Grey Gardens", filmed by the Maysles brothers. On Thursday we went to the premeire at the IFC in Manhattan, and I personally haven't felt so inspired by a film in sometime. The film is a second movie featuring the same characters as the first film "Grey Gardens" that was released in 1975. It will be realeased on DVD by Criterion in the fall.
You can learn more about the film here, and the Maysles brother and their stunning collection of work here.
Sunday, August 13, 2006
Philagrafika presents MEGAWORDS at Landmarks Contemporary Projects
Myself and Dan are very excited about this, mostly because we have the opportunity to further explore video, something we've both been wanting to do as of late. Here is the announcement from the Philagrafika site. We will update with more information at the opening date approaches.
Monday, August 07, 2006
Thursday, August 03, 2006
Adam Wallacavage - Photographist Extraordinaire
Just recieved a few copies of Adam Wallacavage's new book Monster Size Monsters back from the printer. We are very pleased with the way they turned out, and so is Adam. Jim Houser wrote the foreward, and there is also an introduction by Andrew Jeffery Wright. More on the book from Gingko's website - "Wallacavage cut his teeth in photography shooting photos for Thrasher, Skateboard Magazine and later Transworld, Strength and Slap. Ranging from the sublime to the surreal to the silly, his colorful photos quickly began to draw attention outside of the world of skaters. Over the past decade, Adam Wallacavage has photographed several important artists of our time including Barry McGee and Rebecca Westcott, shot great underground bands and captured amazing moments in the evolution of the art collective underground in the US most notably Space 1026 in Philadelphia, PA and Fort Thunder in Providence, RI. His photos are all informed by the colorful and dynamic style he developed as a skateboard photographer. “Shooting for skateboard magazines was the best education in photography I could ever have had, that and working at a one hour photo lab. I learned to set up lights and shoot in dangerous and illegal situations fast, so that I could get out before security guards or cops showed up to bust us for skateboarding.”
The book is 176 pages in length,and hardbound. You can get a copy here.


